Khalisa Rae’s Collection “Ghost in a Black Girl’s Throat” Summons Ghosts of Ancestral Pain

In this episode 241, we visit with Khalisa Rae, author of “Ghosts in a Black Girl’s Throat,” a vivid collection of poems that explore Black pain, agency, reclamation, and the ghosts—past and present—that haunt them.

Jaki Shelton Green, author of “I Want to Undie You,” had this to say about the book, “If storytelling in the griot’s hands is a form of resistance, then Ghost in a Black Girl’s Throat is a form of control. Khalisa Rae’s poetics are unbreakable glass knives that own uncharted and unmarked underground burrows, providing refuge for righteous indignation… This powerful collection bears witness to the fraught overlap between women’s bodies and minds. Ghost in a Black Girl’s Throat reframes the Black body politic as sacrament, benediction, delicacy, and tenderness.”

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About the Author:

Khalisa Rae is a poet and journalist in Durham, NC that speaks with furious rebellion. She is the author of Ghost in a Black Girl’s Throat (Red Hen Press 2021). Her essays are featured in Autostraddle, Catapult, LitHub, as well as articles in B*tch Media, NBC-BLK, and others. Her poetry appears in Frontier Poetry, Florida Review, Rust & Moth, PANK, Hellebore, Sundog Lit, HOBART, among countless others. She is the winner of the Bright Wings Poetry contest, the Furious Flower Gwendolyn Brooks Poetry Prize, and the White Stag Publishing Contest, among other prizes. Currently, she serves as Assistant Editor for Glass Poetry and co-founder of Think in Ink and the Women of Color Speak reading series. Her second collection Unlearning Eden is forthcoming from White Stag Publishing in 2022.

Additional Endorsements

“Khalisa Rae’s Ghost in a Black Girl’s Throat is like a newborn scream that’s been held in for eons. Sharp, strong, unapologetic, beautiful, and angry, the writing in this collection is a celebration of language and rhythm…. The result is a book that demands to be read with clenched fists and an open heart.”—PANK

“Rae considers the intersection of history and modernity in the American South in her provocative debut.”

Publisher’s Weekly

“A remarkable chronicle of agency and prophetic voice. Ghosts and apparitions are among playful agents in the pages to witness a reclamation and provide a powerful fire. This haunting is but a reckoning of reconciliations and a quest for meaning in agency against oppressive forces.”—Yes Poetry

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